Please note: There are far more movies than the staff at the Regina Public Library could possibly review, so as a service to our patrons we use reviews posted on the Internet and product descriptions from many of the DVD sites such as Amazon, Rogers, IMDB, All Movie Guide. When it is a documentary/non fiction film on a potentially controversial topic we look for balanced or non-judgemental reviews or descriptions.
Please feel free to submit your comments on the blog.
Drama
Hurt Locker 2009
Directed by Kathryn Mackie
Starring: Guy Pearce, Ralph Fiennes
The making of honest action movies has become so rare that Kathryn Bigelow's magnificent The Hurt Locker was shown mostly in art cinemas rather than multiplexes. That's fine; the picture is a work of art. But it also delivers more kinetic excitement, more breath-bating suspense, more putting-you-right-there in the danger zone than all the brain-dead, visually incoherent wrecking derbies hogging mall screens. Partly it's a matter of subject. The movie focuses on an Explosive Ordnance Disposal team, the guys whose more or less daily job is to disarm the homemade bombs that have accounted for most U.S. casualties in Iraq. But even more, the film's extraordinary tension derives from the precision and intelligence of Bigelow's direction. She gets every sweaty detail and tactical nuance in the close-up confrontation of man and bomb, while keeping us alert to the volatile wraparound reality of an ineluctably foreign environment--hot streets and blank-walled buildings full of onlookers, some merely curious and some hostile, perhaps thumbing a cellphone that could become a trigger. This is exemplary moviemaking. You don't need CGI, just a human eye, and the imagination to realize that, say, the sight of dust and scale popped off a derelict car by an explosion half a block away delivers more shock value than a pixelated fireball.
The setting may be Iraq in 2004, but it could just as well be Thermopylae; The Hurt Locker is no "Iraq War movie." Bigelow and screenwriter Mark Boal--who did time as a journalist embed with an EOD unit--align themselves with neither supporters nor opponents of the U.S. involvement. There's no politics here. War is just the job the characters in the movie do. One in particular, the supremely resourceful staff sergeant played by Jeremy Renner, is addicted to the almost nonstop adrenaline rush and the opportunity to express his esoteric, life-on-the-edge genius. The hurt locker of the title is a box he keeps under his bunk, filled with bomb parts and other signatory memorabilia of "things that could have killed me." That none of it has killed him so far is no real consolation. In this movie, you never know who's going to go and when; even high-profile talent (we won't name names here) is no guarantee. But one thing can be guaranteed, and that is that almost every sequence in the movie becomes a riveting, often fiercely enigmatic set piece. This is Kathryn Bigelow's best film since 1987's Near Dark. It could also be the best film of 2009. --Richard T. Jameson
Drama
Foreign Film – Japan
Departures 2009
Directed by Yojiro Takita
Starring: Toru Minegishi, Tsutomu Yamazaki
Departures is surely the gentlest, sweetest movie about death that you will ever see. A cellist named Diago (Masahiro Motoki) comes to the rueful conclusion that he’s not talented enough to make a career as a musician; having just returned to his hometown with his wife Mika (Ryoko Hirosue, Wasabi), he answers a job ad for what he thinks must be a travel agency... only to discover that company prepares bodies to be placed in coffins. Fearful of his wife’s response, he hides his new job--but as he grows to appreciate his boss (Tsutomu Yamazaki, Tampopo) and the affect that the humbling ceremony of cleaning and dressing the deceased has on their families, Diago discovers that he might have a calling. Departures won the 2009 Academy Award for Best Foreign Language Film, and it’s easy to understand why. Though it starts out quietly and even seems slight, it gradually builds in emotional power, layer by layer, until scene after scene at the end is richly moving. Particularly affecting is the performance of Kimiko Yo, the secretary of the company, who harbors a troubling secret. A few moments of overt symbolism push the movie from compassion to sentimentality--but every time Departures seems to have lost its footing, a scene follows that strikes all the right notes so deftly it resonates like a bell. A truly marvelous movie. --Bret Fetzer
Comedy
Tyler Perry’s I Can Do Bad All By Myself 2009
Directed by Tyler Perry
Starring: Tyler Perry, Mary J. Blige
In one of his most satisfying films to date, Tyler Perry keeps the faith with his devoted audience, giving them his signature mash-up of heart-wrenching melodrama (there's enough material here for a dozen Lifetime movies), outrageous comic relief, and soul-stirring spiritual uplift. Adapted from his play of the same name, I Can Do Bad All by Myself stars Taraji P. Henson as April, another damaged Perry woman on the verge. She's an alcoholic nightclub singer involved with a controlling married man and estranged from her mother and her church (despite the best efforts of a congregant portrayed by Gladys Knight). When her mother dies, April is forced to take in her dead crack-addict sister's three children. She does not exactly put out the welcome mat. Perry's crowd-pleasing signature character, Madea, aka "the heavyweight champion of the world," is mostly offscreen, but she makes the most of her scant screen time, serving up her own brand of old school discipline ("I promise you gonna come up missing," she threatens one troubled teen who talks back to her) and values-added wisdom ("You get out of this life what you put into it"). Will April finally see the light, accept the Lord, and open her heart to the kids and the saintly (and handsome) Colombian immigrant handyman (Adam Rodriguez) who lives in her basement? Knight, Marvin Winans, and Mary J. Blige raise the roof with showstopping gospel and blues numbers that capture the fervor of a Perry theatrical experience. Another Perry film not screened in advance for critics, another film that was No. 1 at the box office its opening weekend, I Can Do Bad All by Myself is further testimony that, for now, Perry can seemingly do no wrong. --Donald Liebenson
Drama
Whip It 2009
Directed by Drew Barrymore
Starring: Drew Barrymore, Marcia Gay Harden
Drew Barrymore makes her bow as a director with this Roller Derby coming-of-age number, which shares the spirit of so many of Barrymore's movies: it's loosey-goosey, cheerful, and buoyant in waving its "Girls Rule!" flag. On screen, Barrymore relegates herself to a slapstick supporting role, handing the lead to Juno gal Ellen Page. Page plays a Texas teen with a yen to join Austin's Roller Derby squad, complete with new professional moniker Babe Ruthless, but she'll have to keep the side career secret from her beauty-pageant-obsessed Mom (Marcia Gay Harden) and football-watchin' Dad (Daniel Stern). A coming-of-age tale emerges between bouts of skating on the RD track (Jimmy Fallon plays the goofy Derby announcer), with a dash of romance added in the form of a generic Dude in a Band. Kristen Wiig does surrogate-mom duty as a teammate, Juliette Lewis is appropriately out-there as a track rival, and Andrew Wilson (bro of Owen and Luke) gets some hilariously poker-faced lines in as the team's coach. All the pleasant stuff makes you almost overlook how ramshackle the movie is, and how standard-issue the parental tensions (even if Harden is a total pro, as always). Ellen Page doesn't offer the innate audience-friendly cuddliness of Barrymore herself--thus her apt casting as Juno's brittle heroine--but her rapt focus is something to behold. "Babe Ruthless" indeed. --Robert Horton
Science Fiction
Surrogates 2009
Directed by Jonathan Mostow
Starring: Bruce Willis, Rosamund Pike
How do you save humanity when the only thing that's real is you? From the director of TERMINATOR 3 comes a jaw-dropping psychological thriller starring the ultimate action hero, Bruce Willis. In the not-so-distant future, where people experience life through perfect surrogates controlled from the safety of their own homes, murder is a thing of the past. But when a college student linked to the creator of these replicants is killed, one FBI agent must re-enter reality and risk his life to unravel the mystery. In the battle of technology versus humanity, who can you trust? Experience every electrifying moment of this mind-blowing movie. Based on the acclaimed graphic novel and exploding with unforgettable action, SURROGATES is nonstop entertainment from start to finish! Amazon
Comedy
In the Loop 2008
Directed by Armando Iannucci
Starring: James Gandolfini, Peter Capaldi
It s the razor-sharp smash that critics are calling brilliant (San Francisco Chronicle), blisteringly funny (USA Today) and "One of the best films of the year... a little piece of heaven (Chicago Tribune). Peter Capaldi stars as a foul-mouthed British government spokesman who must act quickly when a mid-level minister (Tom Hollander of PIRATES OF THE CARIBBEAN) tells an interviewer that U.S. war in the Middle East is unforeseeable . But when they are both summoned to Washington D.C., the hapless politico quickly becomes a pawn of bureaucrats, spin doctors and military advisors, including a hardnosed General (James Gandolfini, in a performance Rolling Stone hails as slyly hilarious ). Gina McKee (WONDERLAND), Anna Chlumsky (MY GIRL) and Steve Coogan (TROPIC THUNDER) co-star in this hilarious satire from director/co-writer Armando Iannucci, the award-winning creator of the classic BBC sitcoms I M ALAN PARTRIDGE and THE THICK OF IT. Amazon
Horror
Final Destination 2009
Directed by James Wong
Starring: Devon Sawa, Ali Larter
In this teenage horror film, a young man avoids the hand of death, only to find that he can't get away from it so easily. On the way to Paris with his high-school French club, Alex Browning (Devon Sawa) has a vivid premonition of the plane crashing and killing all its passengers. After Alex and some other passengers demand to be let off the flight, his premonition turns out to be true, and the jet explodes during takeoff. While the FBI is convinced that Alex was involved in some kind of foul play, the passengers who got off the flight are all dying in horrible ways, as if whoever determined that the passengers would perish is punishing those who cheated death. Final Destination marked the feature directorial debut of James Wong, a producer and director for the TV series The X Files. ~ Mark Deming, All Movie Guide
Fantasy/ Animated
9 2009
Directed by Shane Acker
Voices: Jennifer Connelly, Christopher Plummer
Academy Award-nominated for his groundbreaking animated short of the same name, filmmaker Shane Acker makes his feature directorial debut with this expanded version of his acclaimed post-apocalyptic fable. In a world parallel to our own, the worst has happened, and humanity is in danger of extinction. From the ashes of destruction emerges a courageous rag doll named 9 (voice of Elijah Wood) whose unique leadership skills could prove the key to survival for those who have not yet perished. Perhaps with a little help from his friends, who include domineering war veteran 1 (voice of Christopher Plummer), aging inventor 2 (voice of Martin Landau), stout mechanic 5 (voice of John C. Reilly), visionary artist 6 (voice of Crispin Glover), and fearless warrior 7 (voice of Jennifer Connelly), 9 will prove capable of salvaging what still remains of this world, and laying the groundwork for a hopeful future. Produced by Tim Burton, Timur Bekmambetov (Wanted, Night Watch), and Jim Lemley (The Diving Bell and the Butterfly), 9 takes viewers on a surrealistic journey into a world where anything is possible. ~ Jason Buchanan, All Movie Guide
Comedy
Couples Retreat 2009
Directed by Peter Billingsley
Starring: Vince Vaughn, Jon Favreau
Vince Vaughn and Jon Favreau team up after their '90s career-making hit, Swingers, to write and costar in Couples Retreat, a romantic comedy that's heavy on the satire, but is also knowing and wry, as Swingers is at its best. Vaughn and Favreau are joined in the top-notch cast by the always engaging Kristin Bell (whose appearance with Vaughn, in a romantic tropical setting, may remind viewers of Forgetting Sarah Marshall), Jason Bateman, Kristin Davis (Sex and the City), Faizon Love, and Jean Reno. Fans of romantic comedies, and comedies of manners, will be delighted at the snappy interaction among the actors, and the zingers delivered by the script.
"You are not buying some 20-year-old broad a motorcycle!" yells Vaughn's character, Dave, to Love's character, Shane, who's having an early midlife crisis. "She's a kid! Buy her a Hello Kitty book!" Turns out that all the couples in Dave and Shane's circle are having issues, and decide to take a group tropical vacation. Ah, but there's a catch: the island getaway comes with mandatory couples counseling and bonding events. Most of the film's laughs come from cringe-worthy fish-out-of-water moments, though there are some pretty great fish-in-water moments, too: Dave begins to panic during a test involving swimming with sharks. "It's time to get the gun, and shoot some fish!"
Reno is also a standout, as the unctuous New Age-y director of the retreat, fearless in spewing half-nonsense yet having the almost admirable courage to stand behind his convictions. The film was directed with a light hand by Peter Billingsley, who starred as young Ralphie in A Christmas Story, and who has acted with Vaughn in Four Christmases and The Break-Up. And somehow, among the lunacy and the beauty of nature, friends and soulmates may just find the way back to each other. Just steer clear of the Jet Skis. --A.T. Hurley
Horror
Paranormal Activity 2007
Directed by Oren Peli
Starring: Katie Featherstone, Micah Mackie
Like The Blair Witch Project, Paranormal Activity is an impressive and harrowing indie chiller that derives much of its terror--and there is quite a bit of that in its brief running time--by playing on the most basic of human fears: that which cannot be seen. Though one might assume that the point-of-view aesthetic had been worn out thanks to Cloverfield and Quarantine (and, lest one forgets, Blair Witch), Paranormal makes excellent use of the single-camera technique, which helps to not only preserve the film's central conceit--a new-minted couple records the increasingly threatening supernatural phenomena that have invaded their home on a camcorder--but underscore the realism needed to drive home the low-fi (if completely persuasive) special effects. The approach is also crucial to the film's suspense, which unfolds in long, largely broken takes to nerve-rattling effect. Not every horror fan--or moviegoer--will fall for the film's spook-show approach. Those that found Blair Witch's less-is-more approach aggravating will feel the same way about Paranormal, but the sleight of hand exhibited by first-time director Oren Peli, and assisted by his two leads, relative newcomers Katie Featherston and Micah Sloat, should provide adventurous viewers with fresher and stronger scares than anything from Hollywood in recent years. --Paul Gaita
Comedy
The Invention of Lying 2009
Directed by Ricky Gervais
Starring: Ricky Gervais, Jennifer Garner,
It's official: Ricky Gervais is a genius. He may not have cured cancer or discovered a new branch of mathematics, but having created The Office, Extras, and now The Invention of Lying has secured him a place in the history of comedy. The Invention of Lying imagines a world in which everyone unfailingly tells the truth; they don't even know what fiction is. Every thought, however humiliating or harsh, tumbles out unvarnished. Then one day, a desperate unemployed writer named Mark (Gervais) concocts a lie--and in a world where everyone is unfailingly honest, a lie is believed with total and absolute gullibility. Mark can get anything he wants...but the one thing he truly wants is the love of a girl named Anna (Jennifer Garner, Alias, Juno), and she's the one person he can't bring himself to lie to.
The Invention of Lying balances a brilliant overall idea with inspired comic bits and deft cameo turns by a star-studded cast (among the many famous faces in bit roles are Philip Seymour Hoffman, Edward Norton, Jason Bateman, Christopher Guest, Tina Fey, Jeffrey Tambor, and more). The second half of the movie, which follows Mark's romantic pursuit of Anna, isn't quite as marvelous as the gradual unfolding of the situation and Mark's grappling with his strange new ability, but that doesn't keep the movie from being a unique and dazzling comedy. Simply not to be missed. Also featuring comedian Louis C.K., Rob Lowe, and Jonah Hill. --Bret Fetzer
Documentary
Michael Jackson: This Is It 2009
Starring: Michael Jackson
Directed by Kenny Ortega
It's hard not to watch This Is It without feeling a mixture of sorrow and elation. When he passed away in the summer of 2009, Michael Jackson was in the midst of rehearsals for his final tour, an ambitious 50-date engagement. In editing 120 hours of rehearsal footage together, Jackson producer Kenny Ortega proves that it would've been an event for the ages. Michael performs material that spans his career, from a Motown medley to multi-platinum hits from Off the Wall, Thriller, and Bad. Though he hadn't toured in 10 years, it becomes instantly apparent, despite rumors to the contrary, that Jackson was still in full possession of that unmistakable voice--high-pitched whoops and all--and that he still had the gravity-defying moves of a man half his age. Jackson and Ortega also collaborated on some real showstoppers, such as a graveyard-set "Thriller"; an imposing "They Don't Care About Us," in which several dancers appear to morph into thousands; and a film noir sequence in which the singer slides in and out of Gilda and other black-and-white classics, singing "Smooth Criminal" all the while. Not everything works, like the Jackson 5 numbers, in which he flubs a few lyrics, claiming that his earpiece isn't working properly, but as he readily acknowledges, "That's what rehearsal is for." It's a tragedy that he didn't get the chance to share this dazzling show with the world, but Ortega allows fans to feel as if it actually happened--at least onscreen. --Kathleen C. Fennessy
Science Fiction
Moon 2008
Directed by Duncan Jones
Starring: Sam Rockwell, Kevin Spacey
Science fiction can encompass many genres--suspense, horror, action-adventure, romance, even comedy--but director Duncan Jones's Moon doesn't fit neatly into any of them. This smart, provocative film has no aliens or cool spaceships, and the effects (mostly consisting of model vehicles lumbering across the lunar surface) aren't all that special; instead, the material is character- and story-driven, centering on an excellent, multilayered performance by Sam Rockwell. The scene is some undetermined point in the future. Rockwell plays Sam Bell, an employee of Lunar Industries, the company responsible for mining a fusion energy source called Helium-3, which is vital to Earth's efforts to reverse a serious energy crisis and can only be found on the far side of the Moon. Sam is all by himself, and as he nears the end of his three-year contract, the solitude is starting to get to him ("Three years is a long haul," he says. "Way, way, way too long. I'm talking to myself on a regular basis"); his only contact with his wife and daughter back home comes through the occasional video messages he exchanges with them, while his sole interaction on the Moon is with GERTY 3000, a computer voiced by Kevin Spacey (and an obvious parallel to 2001: A Space Odyssey's HAL 9000). Things start to go seriously sideways when Sam crashes his vehicle while out inspecting one of the giant Helium-3 harvesters. He comes to in the base infirmary, seemingly none the worse for the wear; but an unnerving surprise awaits him when he goes back to check out the accident site, and the resulting complications occupy the rest of the movie. Fans of 2001, Solaris, and other cerebral sci-fi will enjoy figuring out what's going on; others will find it slow-moving and tedious. Either way, Moon, which was made quickly and on a relatively low budget, is well worth a look. --Sam Graham
Drama
Fame 2009
Directed by Thomas Dekker
Starring: Debbie Allen, Charles S. Dutton
Passions will be tested. Hearts will be broken. Talent, dedication and hard work will triumph! Fame is the inspiring story of a group of dancers, singers, musicians and actors at the New York City High School of Performing Arts, and their spirited drive to live out their dreams of stardom. In an incredibly competitive atmosphere, each student must shine amidst the tumult of school work, deep friendships, budding romance and self-discovery. Debbie Allen, Charles S. Dutton, Kelsey Grammer, Megan Mullally and Bebe Neuwirth co-star along side a group of gifted young performers in This soaring reinvention of the Oscar®-Winning hit film*. Amazon
TV Series
Glee Vol. 1: Road to Sectionals 2009
Starring: Matthew Morrison, Jane Lynch
Filled with beloved characters and sensational musical numbers, Glee Season 1: Road To Sectionals is an electrifying, pitch-perfect winner. William McKinley High School once had a champion glee club, but now they are floundering, until an idealistic Spanish teacher (Matthew Morrison) takes up their cause, vowing to transform the rag-tag group of singers and dancers into champions. From Ryan Murphy, the creator of Nip/Tuck, Glee also stars Jane Lynch, Jessalyn Gilsig, and a slew of talented newcomers including Lea Michele, Cory Monteith and Chris Colfer. Featuring the first 13 episodes from its 2009 debut season on FOX, the DVD will also include the Director’s cut of the pilot episode; exclusive behind-the-scenes featurettes; audition videos from the talented cast and the hit music, such as cast versions of Queen’s "Somebody To Love," Heart’s "Alone," Journey’s "Don’t Stop Believin’," Céline Dion’s "Taking Chances," Rihanna’s "Take A Bow," Carrie Underwood’s "Last Name," Jazmine Sullivan’s "Bust Your Windows," Kanye West’s "Gold Digger" and REO Speedwagon’s "Can’t Fight This Feeling." From the Studio |
